Rattle, rattle, come the drums, mingled with the long-drawn-out notes of the tin or silver trumpets. Suddenly a loud shout arises, a shout of merriment, as a monstrous figure, clad in skins of beasts, and, apparently, hung round with bladders, in his hand a long stick, dashes out of the advancing throng, clearing the intervening space between it and the Emir’s residence in a succession of frantic bounds. This is the Court fool, and his appearance is quite in setting with the piece. For this whole scene is a scene out of the Arabian Nights, and, really, one would hardly be astonished at the appearance of Jins, or even of Eblis himself. At last, here is the Emir and his immediate bodyguard, and the drummers and the trumpeters. The air resounds with prolonged “Ah! Ah! Ahs.” There is a vast tossing of arms, and prancing of horses, and glittering of spears, a climax of sound and colour—and dust.
The Emir Aliu is a fine looking man, with a good straight nose, intelligent, rather cruel-looking eyes. His mouth we cannot see, for the folds of the turban are drawn across the lower part of his face. A dark, indigo-dyed purple turban and under-cloak; over it a snow-white robe of silk with a tasselled cape which half hides the turban—these are the principal coverings to voluminous robes of many tints. His feet are encased in beautifully embroidered boots, and his saddle is richly ornamented. On the forefinger of his left hand is a heavy silver ring. Halting, he turns and faces the multitude. His attendants, one on either side, wave the dust away from his face with ostrich feather fans. Others, dressed in red and green, and carrying long staves, range themselves in front of him and shout his praises in stentorian tones. Four figures on foot advance, three of them are clad in skins and carry drums. The fourth is a crouching creature with a curious wizened face bearing a drawn sword in his hand. A sword dance ensues, the four going round and round in a circle. The gentleman with a sword contorts himself, prods viciously at imaginary foes, and every now and then makes a playful attempt to smite off one of the drummers’ legs. This performance being terminated—accompanied the while by incessant shouting on the part of every one in general—the actors retire, and the Emir holds up his thin aristocratic hand.