This year the horror was very great, for the people knew that the wrath of the very old folk was upon Pompelo. Three months previously five of the little squint-eyed traders had come down from the hills, and in a market brawl three of them had been killed. The remaining two had gone back wordlessly to their mountains – and this autumn not a single villager had disappeared. There was menace in this immunity. It was not like the very old folk to spare their victims at the Sabbath. It was too good to be normal, and the villagers were afraid.
For many nights there had been a hollow drumming on the hills, and at last the ædile Tib. Annæus Stilpo (half native in blood) had sent to Balbutius at Calagurris for a cohort to stamp out the Sabbath on the terrible night. Balbutius had carelessly refused, on the ground that the villagers’ fears were empty, and that the loathsome rites of hill folk were of no concern to the Roman People unless our own citizens were menaced. I, however, who seemed to be a close friend of Balbutius, had disagreed with him; averring that I had studied deeply in the black forbidden lore, and that I believed the very old folk capable of visiting almost any nameless doom upon the town, which after all was a Roman settlement and contained a great number of our citizens. The complaining ædile’s own mother Helvia was a pure Roman, the daughter of M. Helvius Cinna, who had come over with Scipio’s army. Accordingly I had sent a slave – a nimble little Greek called Antipater – to the proconsul with letters, and Scribonius had heeded my plea and ordered Balbutius to send his fifth cohort, under Asellius, to Pompelo; entering the hills at dusk on the eve of November’s Kalends and stamping out whatever nameless orgies he might find– bringing such prisoners as he might take to Tarraco for the next proprætor’s court. Balbutius, however, had protested, so that more correspondence had ensued. I had written so much to the proconsul that he had become gravely interested, and had resolved to make a personal inquiry into the horror.
Конец ознакомительного фрагмента.